Recently, I’ve heard back from Detica about CView and wanted to share the information that Detica has been provided. CView is the copyright detection Deep Packet Inspection (DPI) appliance that Virgin Media will be trialling, and is intended to measure the amount of copyright infringing files that cross Virgin’s network. This index will let Virgin determine whether the content deals they sign with content producers have a noticeable impact on the amount of infringing P2P traffic on their network. Where such deals reduce infringements, then we might expect Virgin to invest resources in agreements with content producers, and if such agreements have no impact then Virgin’s monies will likely be spent on alternate capital investments. I’ll note up front that I’ve sent some followup questions to seek additional clarity where the answers I received were somewhat hazy; such haziness appears to have been from a miscommunication, and is likely attributable to a particular question that was poorly phrased. Up front, I will state that I’m not willing to release the name of who I’m speaking with at Detica, as I don’t think that their name is needed for public consumption and would be an inappropriate disclosure of personal information.
The key question that is lurking in my own mind – if not that of others interested in the CView product – is whether or not the appliance can associate inspected data flows with individuals. In essence, I’m curious about whether or not CView has the ability to collect ‘personally identifiable information’ as outlined by the Privacy Commissioner of Canada in her recent findings on Bell’s use of DPI. In her findings, the Commissioner argues that because Bell customers’ subscriber ID and IP address are temporarily collated that personal information is being collected that Bell does collect personal information. Read more…
Late last week The Register reported that Virgin Media is going to be trialling Detica’s Deep Packet Inspection (DPI) appliances to measure the levels of copyright-infringing file sharing that is occurring along Virgin Media’s networks. It’s important to note a few things right up front:
- I have a request in to the company manufacturing these appliances, Detica, and have been promised responses to my questions. In light of this, I’m not accusing Detica or Virgin Media of engaging in any ‘privacy invasive’ uses of DPI, at least not at the moment.
- The information that I’ll drawing on is, largely, from a consultation paper that Detica presented in late September of 2009.
- This post is largely meant as a ‘let’s calm down, and wait to hear about the technology’s details’ before suggesting that a massive campaign be mounted against what might be a relatively innocuous surveillance technology.
With that stated…
Detica describes themselves as a “business and technology consultancy specialising in helping clients collect, manage and exploit information to reveal actionable intelligence. As the digital revolution causes massive amounts of data to converge with a new generation of threats, many of our clients see this as one of their greatest challenges.” Their CView DPI system is meant to let ISPs better identify the amount of copyright infringing work that is coursing across their networks, in an effort to give ISPs better metrics as well as to determine whether arrangements between ISPs and content providers has a significant, measurable effect on the transfer of copyright infringing files. Read more…
I’ve been watching with some interest the new Artist 2 Fan 2 Artist project, recently started up by Jon Newton and Billy Bragg. The intent of the site is to bring artists and fans together and encourage these parties to speak directly with one another, without needing to pass through intermediaries such as producers, labels, public relations groups, managers, and so on. It will be interesting to see how the dialogue develops.
One of the key elements of the site that interest me the discussion of paying artists (and other content creators); how can we avoid demonizing P2P users while at the same time allocating funds to artists/copyright owners in a responsible manner. On October 5th, this topic was broached under the posting ‘In Favour of a Music Tax‘, and I wanted to bring some of my own comments surrounding the idea of a music tax to the forefront of my own writing space, and the audience here.
I think that an ISP-focused levy system is inappropriate for several reasons: it puts too much authority and control over content analysis than carriers need, puts carriers at risk when they misidentify content, and would make carriers (for-profit content delivery corporations) in charge of monitoring content without demanding consumers that pay ‘full value’ for content moving through their networks. This last point indicates that an ISP-based levy puts ISPs in a conflict of interest (at least in the case of the dominant ISPs in Canada). Another solution is required. Read more…
Skype is a polarizing product for telecom operators and customers. It is an application that lets customers abandon their historical phone services in favour of an encrypted Voice over Internet Protocol (VoIP) communications service that provides ‘free’ calls to computers and cheap rates when making a Skype-to-analogue/cellular phone service. For customers, it extends the choices presented to them and potentially reduces their monthly phone expenses.
The iPhone application for Skype has made headlines as telecom and smartphone manufacturers alike have actively and passively resisted, and ultimately relented, to permitting customers make Skype calls from their iPhones and other mobile devices. Apple has stated that they will not ‘jump through hoops’ to ensure that VoIP applications work through successive operating system updates, and AT&T’s poor data transmission systems likely made them somewhat hesitant to allow another bandwidth-heavy service onto their networks. What really got *me* interested in the Skype iPhone application, as a Canadian, was the following:
- Canadian customers can now install Skype on their iPhones;
- There was no place on the web that informed Skype users of how much data was consumed by the iPhone application when in use.
It was #2 that was particularly interesting. Canadian consumers tend to have fairly low default bandwidth caps with Rogers, the primary carrier of the iPhone in Canada, at 1GB in the basic iPhone plan. My thought was this: if the iPhone application actually consumed massive amounts of data Rogers would:
- Make a killing on the likely data overages as early adopters shifted over to Skype VoIP in favour of Rogers’ own voice services;
- If the application actually consumed a large amount of bandwidth, carriers might see it as ‘technically’ needing to be mediated using some system (perhaps deep packet inspection). Read more…
