Following up on my post two weeks ago (Demonstration: Why Mashups are Awesome), I felt obliged to put up another awesome mashup that I just came across. The first video below shows guy playing a trombone piece, whereas the second demonstrates how it was integrated into a reggae mashup. Depending on the copyright regime that you live in, the mere act of viewing a mashup like the one in this post could constitute infringement. The audio mashup linked in the image at the head of this post most definitely would constitute infringement in some jurisdictions, but in both cases aren’t citizens just taking up the cultural artifacts surrounding around them and making something new? Amateur creativity like in these mashups is categorically different from professional mashups; shouldn’t we really have different categories and legal expectations depending on what category you sit in?
Throughout the Global North there are discussions on the table for introducing what are called ‘three-strikes’ rules that are designed to cut or, or hinder, people’s access to the Internet should they be caught infringing on copyright. In the EU, the big content cartel is trying to get ISPs to inspect consumer data flows and, when copywritten content is identified, ‘punish’ the individual in some fashion. Fortunately, it is looking that at least the EU Parliament is against imposing such rules on the basis that disconnecting individuals from the Internet would infringe on EU citizens’ basic rights. In an era where we are increasingly digitizing our records and basic communications infrastructure, it’s delightful to see a body in a major world power recognize the incredibly detrimental and over-reactionary behavior that the copyright cartel is calling for. Copyright infringement does not trump basic civil liberties.
Now, I expect that many readers would say something along this line: I don’t live in the EU, and the EU Parliament has incredibly limited powers. Who cares, this: (a) doesn’t affect me; (b) is unlikely to have a real impact on EU policy. Read more…
When you read Lessig, he keeps pointing to Girl Talk. That’s because Girl Talk is awesome, and is one of the most prominent mashup artists. Let’s say that you’re not into the particular sounds GT is producing (which isn’t unreasonable) – if that’s the case, and that’s why you think mashup ’sucks’, hit the video below to see what harsh music copyright laws will outlaw. The creativity is manifest in the video is clearly original, possessing focus, and is simply awesome.
Copyright is becoming an ever-increasingly important part of contemporary lexicon; in Canada, it’s so important that we now have a ‘citizen’s guide‘ to help ‘regular folk’ with their copyright-related concerns. While most eyes are presently focused on the Pirate Bay trial (Ernesto has been blogging about it regularly since the trial started, Jesse Brown’s recent podcast addresses it, etc.), a major ’success’ in the war on copyright has actually been ‘won’ by Big Media. Ireland’s Eircom has announced that they will be blocking access to peer-to-peer websites in an effort to limit their users’ access to spaces holding copywritten content. This effort to block access is in addition to Eircom’s agreement that they will cut off users who are found infringing on copyright multiple times (a three-strikes rule).
This development substantially ratchets up the question, “What is role(s) do telecommunications companies play in today’s virtualized world, and global digital economy?” Self-imposed private corporations’ policies now threaten to substantially normalize ‘permissible’ modes of both accessing data and determining what accesses are ‘legitimate’ and which are not. Read more…